Renewal



Will Bring

the Two Organizations to a Two-Decade Milestone

DENVER

and

NEW YORK


,


Nov. 29, 2022


/PRNewswire/ — Fathom Events and the Metropolitan Opera announced an agreement today to renew

The Met: Live in HD

series, extending a cultural tradition that has delivered scores of performances from the Met’s stage at

New York’s

Lincoln Center directly to cinema screens nationwide since 2006.

The partnership between the country’s largest performing arts institution and leading event-cinema distributor will be renewed through the 2025–26 season, culminating in the 20th anniversary of the

Live in HD

program. The program renewal demonstrates how live performances can drive the return of audiences to movie theaters following the worst periods of the Covid pandemic.

The announcement comes ahead of the

Dec. 10


Live in HD

transmission of

The Hours

by Kevin Puts, based on the novel by

Michael Cunningham

and subsequent movie of the same title. The Met is presenting the world premiere staging of the work. It is one of seven new Met productions presented in the 2022-23 season, including the opening

Live in HD

performance, the Met premiere of Cherubini’s

Medea

. The other new productions are Giordano’s

Fedora

; Wagner’s

Lohengrin

; Mozart’s


Don Giovanni


and

Die Zauberflöte

; and

Terence Blanchard’s


Champion

. Blanchard’s

Fire Shut Up in

My Bones


, transmitted live to movie screens in 2021, was the first opera at the Met by a Black composer. The HD season will also feature performances of Verdi’s

Falstaff

and Strauss’s

Der Rosenkavalier

.

“The Met is a cultural touchstone and one of the most iconic global performing-arts brands,” said

Ray Nutt

, Fathom Events chief executive officer.  “As exceptional and distinctly special is the work that The Met brings to audiences, Peter and his team are just as exceptional.  They have been an enormously valuable partner in our own growth at Fathom Events.   During the term of this new agreement, we will have been partnered for two decades, and we look forward to continuing to work with the Met to bring more high-quality performances to fans around the country.”

“The Met’s

Live in HD

series has brought the beauty and power of opera to millions of people who ordinarily would not have access to it,”

Peter Gelb

, the Met’s General Manager, said. “We are grateful to have such an excellent partner in Fathom and look forward to continuing our shared mission of making world-class opera available to cinema audiences throughout

the United States

and beyond.”

The partnership that began with fewer than 100 theaters has grown to an average of 725 theaters annually and an estimated audience of more than 580,000 annually – widely broadening the reach of The Met’s performances.  The partnership has seen a total revenue of over

$205 million

which translates to approximately 10 million tickets sold.  Today, Fathom’s events with The Met consistently rank among the top-10 in box office on the event date, according to Comscore data, and The Met now accounts for fully half of Fathom Events’ live-event box office revenue.

Tickets for the 2022–23 season of

The Met: Live in HD

series are on sale at participating theater box offices and through

Fathom Events.com

.

2022–23

Live in HD

Season at a Glance:

The

Live in HD

season began on

October 22, 2022

, with

Medea

and continued with

La Traviata

(November 5),

The Hours

(December 10),

Fedora

(January 14),

Lohengrin

(March 18),

Falstaff

(April 1),

Der Rosenkavalier

(

April 15

),

Champion

(

April 29

),


Don Giovanni


(May 20), and

Die Zauberflöte

(

June 3

). All performances will be Saturday matinees transmitted live from the Met stage.

A special encore screening of Mozart’s

The Magic Flute

will also be presented on December 3.

The Met: Live in HD

2022–23 Schedule

Cherubini’s

Medea—

MET PREMIERE

Live in HD

date: October 22, 2022

Production:

David McVicar


Set Designer:

David McVicar


Costume Designer: Doey Lüthi

Lighting Designer:

Paule Constable


Projection Designer: S. Katy Tucker

Movement Director:

Jo Meredith

Carlo Rizzi (Conductor);

Sondra Radvanovsky (Medea)

, Janai Brugger (Glauce),

Ekaterina Gubanova

(Neris),

Matthew Polenzani

(Giasone),

Michele Pertusi

(Creonte)

Having triumphed at the Met in some of the repertory’s fiercest soprano roles, Sondra Radvanovsky stars as the mythic sorceress who will stop at nothing in her quest for vengeance. Joining Radvanovsky in the Met-premiere production of Cherubini’s rarely performed masterpiece is tenor

Matthew Polenzani

as Medea’s Argonaut husband, Giasone; soprano Janai Brugger as her rival for his love, Glauce; bass Michele Pertusi as her father, Creonte, the King of

Corinth

; and mezzo-soprano

Ekaterina Gubanova

as Medea’s confidante, Neris.

Verdi’s

La Traviata

—REVIVAL

Live in HD

date: November 5, 2022

Production: Michael Mayer

Set Designer:

Christine Jones


Costume Designer: Susan Hilferty

Lighting Designer:

Kevin Adams


Choreographer: Lorin Latarro

Daniele Callegari (Conductor); Nadine Sierra (Violetta Valéry), Stephen Costello (

Alfredo Germont

),

Luca Salsi

(

Giorgio Germont

)

Soprano Nadine Sierra stars as the self-sacrificing courtesan Violetta—one of opera’s ultimate heroines—in

Michael Mayer’s

vibrant production of Verdi’s beloved tragedy. Tenor

Stephen Costello

is her self-centered lover, Alfredo, alongside baritone

Luca Salsi

as his disapproving father and Maestro Daniele Callegari on the podium.

Kevin Puts’s

The Hours

—WORLD-PREMIERE PRODUCTION

Live in HD

date: December 10, 2022

Librettist: Greg Pierce

Production: Phelim McDermott

Set and Costume Designer: Tom Pye

Lighting Designer:

Bruno Poet


Projection Designer:

Finn Ross


Choreographer: Annie-B Parson

Dramaturg:

Paul Cremo

Yannick Nézet-Séguin (Conductor); Renée Fleming (Clarissa Vaughan), Kelli O’Hara (

Laura Brown

), Joyce DiDonato (Virginia Woolf), Sean Panikkar (

Leonard Woolf

), William Burden (Louis),

Kyle Ketelsen

(Richard),

Brandon Cedel

(

Dan Brown

)

The world-premiere staging of Kevin Puts’s

The Hours

, adapted from

Michael Cunningham’s

acclaimed novel, which also served as the inspiration for the Oscar-winning film, arrives in cinemas this December. In her highly anticipated return to the Met, soprano Renée Fleming joins soprano Kelli O’Hara and mezzo-soprano Joyce DiDonato to portray three women from different eras who grapple with their inner demons and their roles in society.

Phelim McDermott

, who recently created the Met’s acclaimed production of

Philip Glass’s


Akhnaten

, directs this compelling drama, and Yannick Nézet-Séguin takes the podium to conduct Puts’s powerful score.

Giordano’s

Fedora

—NEW PRODUCTION

Live in HD

date: January 14, 2023

Production: David McVicar, Set Designer:

Charles Edwards

, Costume Designer: Brigitte Reiffenstuel, Lighting Designer:

Adam Silverman

Marco Armiliato (Conductor); Sonya Yoncheva (Fedora), Rosa Feola (Olga), Piotr Beczała (Loris Ipanoff), Artur Ruciński (De Siriex)

Giordano’s exhilarating drama

Fedora

returns to the Met for the first time in 25 years, starring soprano Sonya Yoncheva in the title role of the 19th-century princess who falls in love with her fiancé’s murderer, Count Loris, sung by tenor Piotr Beczała. Soprano Rosa Feola is the Countess Olga, Fedora’s confidante, and baritone Artur Ruciński is the diplomat De Siriex.

Marco Armiliato

conducts

David McVicar’s

intricate production, with a fixed set that unfolds to reveal the opera’s settings: a palace in

St. Petersburg

, a fashionable Parisian salon, and a picturesque villa in the Swiss Alps.

Wagner’s

Lohengrin

—NEW PRODUCTION

Live in HD

date: March 18, 2023

Production: François Girard, Set and Costume Designer: Tim Yip, Lighting Designer:

David Finn

, Projection Designer:

Peter Flaherty

, Choreographer: TBA

Yannick Nézet-Séguin (Conductor); Tamara Wilson (Elsa), Christine Goerke (Ortrud), Piotr Beczała (Lohengrin),

Evgeny Nikitin

(Telramund),

Brian Mulligan

(Herald), Günther Groissböck (Heinrich)

Wagner’s

Lohengrin

returns to the Met stage after an absence of 17 years with this atmospheric new staging by François Girard. Yannick Nézet-Séguin conducts a cast led by tenor Piotr Beczała in the title role of the mysterious swan knight. Soprano

Tamara Wilson

is the virtuous duchess Elsa, falsely accused of murder, going head-to-head with soprano

Christine Goerke

as the cunning sorceress Ortrud. Bass-baritone Evgeny Nikitin is Ortrud’s power-hungry husband, Telramund, and bass Günther Groissböck is

King Heinrich

.

Verdi’s

Falstaff

—REVIVAL

Live in HD

date: April 1, 2023

Production:

Robert Carsen


Set Designer:

Paul Steinberg


Costume Designer: Brigitte Reiffenstuel

Lighting Designers: Robert Carsen and Peter Van Praet

Daniele Rustioni (Conductor); Hera Hyesang Park (Nannetta); Ailyn Pérez (Alice Ford);

Marie-Nicole Lemieux

(Mistress Quickly);

Jennifer Johnson Cano

(

Meg Page

);

Bogdan Volkov

(

Fenton

);

Michael Volle

(Falstaff);

Christopher Maltman

(Ford)

Verdi’s Shakespearean comedy features a brilliant ensemble cast in

Robert Carsen’s

celebrated staging. Baritone

Michael Volle

sings his first Verdi role at the Met as the caddish knight Falstaff, gleefully tormented by a trio of clever women who deliver his comeuppance. Reuniting after their acclaimed performances in the production’s 2019 run are soprano Ailyn Pérez as Alice Ford, soprano

Jennifer Johnson Cano

as

Meg Page

, and contralto

Marie-Nicole Lemieux

as Mistress Quickly. Soprano Hera Hyesang Park and tenor

Bogdan Volkov

are the young couple Nannetta and

Fenton

, and

Daniele Rustioni

conducts.

Strauss’s

Der Rosenkavalier

—REVIVAL

Live in HD

date: April 15, 2023

Production: Robert Carsen

Set Designer: Paul Steinberg

Costume Designer: Brigitte Reiffenstuel

Lighting Designers: Robert Carsen and Peter Van Praet

Choreographer: Philippe Giraudeau

Simone Young (Conductor); Lise Davidsen (Marschallin), Isabel Leonard (Octavian), Erin Morley (Sophie),

Katharine Goeldner

(Annina), René Barbera (Italian Singer),

Thomas Ebenstein

(Valzacchi), Markus Brück (Faninal), Günther Groissböck (

Baron Ochs

)

A stellar trio assembles to take on the lead roles of Strauss’s comedy, with soprano

Lise Davidsen

in her Met role debut as the Marschallin, opposite mezzo-soprano Isabel Leonard in her Met role debut as Octavian and soprano Erin Morley as Sophie. Bass Günther Groissböck returns as Baron Ochs, and Markus Brück is Sophie’s father, Faninal. Maestro Simone Young takes the podium to oversee

Robert Carsen’s

fin-de-siècle staging.

Terence Blanchard’s

Champion

—MET PREMIERE

Live in HD

date: April 29, 2023

Librettist:

Michael Cristofer


Production:

James Robinson


Set Designer:

Allen Moyer


Costume Designer:

Paul Tazewell


Lighting Designer:

Donald Holder


Projection Designer:

Greg Emetaz


Choreographer: Camille A. Brown

Yannick Nézet-Séguin (Conductor); Latonia Moore (

Emelda Griffith

), Stephanie Blythe (Kathy Hagan),

Ryan Speedo Green

(

Young Emile Griffith

),

Eric Owens

(

Emile Griffith

)

Six-time Grammy Award–winning composer Terence Blanchard brings his first opera to the Met after his

Fire Shut Up in

My Bones


made history in the 2021–22 season. Bass-baritone

Ryan Speedo Green

is the young boxer

Emile Griffith

, who rises from obscurity to become a world champion, and bass-baritone

Eric Owens

portrays Griffith’s older self, haunted by the ghosts of his past. Soprano

Latonia Moore

is

Emelda Griffith

, the boxer’s estranged mother, and mezzo-soprano

Stephanie Blythe

is the bar owner Kathy Hagan. Yannick Nézet-Séguin returns to the podium to conduct Blanchard’s second Met premiere. Director

James Robinson

, whose productions of

Fire Shut Up in

My Bones


and

Porgy and Bess

brought down the house, oversees the staging.

Camille A. Brown

, whose choreography electrified audiences in

Fire

and

Porgy

, also returns.

Mozart’s

Don Giovanni

—NEW PRODUCTION

Live in HD

date: May 20, 2023

Production: Ivo van Hove

Set and Lighting Designer: Jan Versweyveld

Costume Designer: An D’Huys

Projection Designer: Christopher Ash

Choreographer:

Sara Erde

Nathalie Stutzmann

(Conductor);

Federica Lombardi

(

Donna Anna

), Ana María Martínez (

Donna Elvira

),

Ying Fang

(Zerlina),

Ben Bliss

(

Don Ottavio

),

Peter Mattei

(

Don Giovanni

), Adam Plachetka (Leporello), Alfred Walker (Masetto), Alexander Tsymbalyuk (Commendatore)

Tony Award–winning director

Ivo van Hove

makes his Met debut with a new staging of Mozart’s tragicomedy


Don Giovanni


. The tale of deceit and damnation is set in an abstract architectural landscape that explores the dark corners of the story and its characters. Nathalie Stutzmann makes her Met debut conducting a star-studded cast led by baritone Peter Mattei as a magnetic

Don Giovanni

, alongside the Leporello of bass-baritone

Adam Plachetka

. Sopranos

Federica Lombardi

, Ana María Martínez, and

Ying Fang

are Giovanni’s conquests—Donna Anna,

Donna Elvira

, and Zerlina—and tenor

Ben Bliss

sings

Don Ottavio

.

Mozart’s

Die Zauberflöte

—NEW PRODUCTION

Live in HD

date: June 3, 2023

Production and Choreography: Simon McBurney

Set Designer:

Michael Levine


Costume Designer: Nicky Gillibrand

Lighting Designer:

Jean Kalman


Projection Designer:

Finn Ross


Sound Designer:

Gareth Fry

Nathalie Stutzmann (Conductor); Erin Morley (Pamina), Kathryn Lewek (Queen of the Night),

Lawrence Brownlee

(Tamino),

Thomas Oliemans

(Papageno),

Alan Held

(Speaker),

Stephen Milling

(Sarastro),

Brenton Ryan

(Monostatos)

Nathalie Stutzmann

conducts her second Mozart work this season with a new production of

Die Zauberflöte

. In his Met-debut staging, Simon McBurney incorporates projections, sound effects, and acrobatics to match the spectacle and drama of Mozart’s fable. The brilliant cast includes soprano

Erin Morley

as Pamina, tenor

Lawrence Brownlee

as Tamino, baritone Thomas Oliemans in his Met debut as Papageno, soprano Kathryn Lewek as the Queen of the Night, and bass

Stephen Milling

as Sarastro.

Mozart’s

The Magic Flute

—SPECIAL ENCORE PRESENTATION

Originally transmitted live on December 30, 2006

Live in HD

Encore Date: December 3, 2022

Production:

Julie Taymor


Set Designer:

George Tsypin


Costume Designer:

Julie Taymor


Lighting Designer: Donald Holder

Puppet Designers: Julie Taymor and Michael Curry

Choreographer: Mark Dendy

English Adaptation: J.D. McClatchy

James Levine (Conductor); Ying Huang (Pamina), Erika Miklósa (Queen of the Night),

Matthew Polenzani

(Tamino),

Greg Fedderly

(Monostatos),

Nathan Gunn

(Papageno),

David Pittsinger

(Speaker), René Pape (Sarastro)

The Met made history in

December 2006

when it presented its first

Live in HD

transmission to cinemas worldwide—the abridged English-language version of Mozart’s

The Magic Flute

.

Julie Taymor’s

whimsical production features a winning ensemble, including tenor Matthew Polenzani, baritone Nathan Gunn, and bass René Pape. The opera returns to select movie theaters in a special encore presentation during the holiday season.

About Fathom Events

Fathom is a recognized leader in the entertainment industry as one of the top distributors of content to movie theaters in

North America

. Owned by AMC Entertainment Inc. (NYSE: AMC); Cinemark Holdings, Inc. (NYSE: CNK); and Regal, a subsidiary of the Cineworld Group (LSE: CINE.L), Fathom operates the largest cinema distribution network, delivering a wide variety of programming and experiences to cinema audiences in all of the top U.S. markets and to more than 45 countries. For more information, visit

www.FathomEvents.com


.

About

The Met: Live in HD

The Met: Live in HD

series has made the Met the world’s leading provider of alternative cinema content and the only arts institution with an ongoing global series of this scale. When the series began in

December 2006

, the Met was the first arts company to experiment with alternative cinema content. Since then, the program has expanded, with more than 29.7 million tickets sold to date and robust attendance in

the United States

,

Germany

,

Canada

,

France

, and the

United Kingdom

.

The Met: Live in

HD series has increased accessibility to Met performances for audiences around the world. With a global average ticket price of

$23

, the series has made world-class performances accessible to millions of opera lovers each season.

Met artists serve as hosts for the

Live in HD

series, providing background on the operas, introducing exciting behind-the-scenes features, and conducting live interviews with stars, crew, and production teams.

The Met: Live in HD

series is made possible by a generous grant from its founding sponsor, the Neubauer Family Foundation. Digital support of

The Met: Live in HD

is provided by Bloomberg Philanthropies.

The Met: Live in HD

series is supported by Rolex. The HD broadcasts are also supported by Toll Brothers, America’s luxury homebuilder®.

Within months of their initial live transmissions, the

Live in HD

programs are shown on PBS in

the United States

. The PBS series

Great Performances at the Met

is produced in association with PBS and WNET, with support from Toll Brothers, America’s luxury homebuilder®.

For more information about

The Met: Live in H

D, visit

metopera.org/hd

.

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